LeadershipIMEA

What AI Cannot Know

AI will make attractive products easier to produce. What it cannot replicate is the accumulated human judgment that makes something irreproducible. The Bulgari watch that sold out in days is the clearest proof in the market right now.

Author

Nader Iskander

Founder & Principal Advisor

20+ years operating luxury brands across IMEA — including maisons of LVMH, Richemont, and independent luxury houses.

6 min read

In late 2025, Bulgari released a watch that sold out almost immediately. The Octo Finissimo, made in collaboration with Mattar Bin Lahej — a renowned Emirati artist and calligrapher — was a 70-piece limited edition whose case and dial were covered in laser-engraved calligraphy drawn from a quote by HH Sheikh Mohammed bin Rashid Al Maktoum, ruler of Dubai: “The future will be for those who can imagine, design and implement it. The future does not wait, but it can be designed and built today.” Those words are inscribed on the exterior of the Museum of the Future in Dubai. The collaboration that brought them to a watch dial took three years. I find it striking that a quote written long before the current AI moment describes, with precision, exactly the argument I want to make.

I want to use that watch to make an argument about AI, luxury, and the thing that cannot be automated.

No algorithm identified Mattar Bin Lahej as the right collaborator for this watch. No model determined that the Sheikh’s words belonged on an Octo Finissimo, or that the quote on the Museum of the Future would resonate with the collector community that attends Dubai Watch Week. That judgment came from years of operating in the region, from relationships built over time, from a creative director who had been having the same conversation with the same people for long enough to understand what would land and what would not.

That is the human signature of luxury. Not just the hand of the gem-setter or the watchmaker — though that matters too — but the accumulated judgment of people who know a culture, a client, and a creative moment well enough to make a decision that produces something irreproducible.

This is not an argument against AI. It is an argument for clarity about what AI is for. AI can test a design idea against a house’s entire archive in an afternoon. It can make craft knowledge more accessible and easier to pass to the next generation. It can bring precision to demand planning, stock allocation, and service scheduling — removing the guesswork that slows operations and distracts the people who should be focused on creation and client relationships. It can carry the administrative weight that accumulates around any creative enterprise, giving makers and advisers more time for the work only they can do. For this to work, the information has to be reliable, and the teams it is meant to help need to be involved from the start. The technology gives people more reach and more time. The people give the technology its purpose and its judgment. Together they go further than either would alone.

There is a specific challenge I think about often in the context of AI and luxury: the entry-level piece. More people can afford the first tier of luxury today, and the client group is growing at that level. That is genuinely good news. But AI is making attractive products easier to develop and reproduce, and a premium appearance will soon be available to almost anyone. Many of those products will be mediocre and very common. The question for a luxury house is not how to compete on surface — it is how to ensure that even the first piece a new client chooses carries the house’s signature as fully as any other.

That signature is not a logo. It is a point of view — a creative identity that the client feels across the whole offer, from the entry piece to the most complex creation. It lives in the judgment of designers, watchmakers, gem-setters, and advisers, built over years and passed from one generation to the next. Apprenticeships, mentoring, and time to experiment keep it alive and moving forward. No amount of AI capability substitutes for that investment in people.

The Bulgari watch also points to something about the client relationship. An adviser who knows a client’s full history — the first piece, the occasion it marked, the preferences they never had to repeat — has more room to listen. Their instinct for the moment gives that knowledge its meaning. A watch may mark an achievement. A jewel may carry a family memory. Understanding that takes curiosity about the individual and respect for the different cultural experiences people bring. The relationship then continues through maintenance, repair, and the care that lets a creation stay with a client for life. The client feels known. The encounter feels made for them alone. That is not a feature that can be generated. It is built, slowly, by people who have chosen to invest in it.

The future of luxury will not be decided by how much AI a house adopts. It will be decided by how deliberately it builds the partnership between what technology can do and what only people can do. The quote on that watch dial says the future belongs to those who can imagine, design, and implement it. Not automate it. Not generate it. Build it — with intention, with craft, and with the kind of human judgment that takes years to earn. The Bulgari watch that sold out in days was a product of a three-year relationship, a deep understanding of a culture, and a creative decision that could only have been made by people who had earned the right to make it. The piece that reached the collector carried the maker’s imagination and craftsmanship, enriched by everything technology could offer in its production — and it was something that could not be made twice. That is what luxury is. And it is what AI, for all its capability, cannot replace.

Key Takeaways

The Bulgari/Bin Lahej Octo Finissimo sold out in days — proof that deep cultural knowledge and human judgment produce what AI cannot replicate

AI is most valuable when it gives makers and advisers more time for the work only they can do — not when it substitutes for that work

The irreplaceable thing in luxury is accumulated human judgment: knowing which collaboration, which cultural voice, which creative decision produces something that could not be made twice

Speak with someone who has operated in these markets.

ISKANDAR brings senior operating experience from maisons of LVMH, Richemont, and independent luxury houses to every advisory engagement.